Found Footage films are known to catch a lot of flack – Kind of like when Mitt Romney calls himself a ‘self-made man’.
The public can see through
the falsities like the X-ray of a Larval Leaf Scorpionfish
Found Footage films are –
in short – contrived bits of amateur film making spliced together to give
audiences a front row seat into the action of a story that is presented to have
been recorded by accident, and usually involves some disaster, catastrophe,
and/or paranormal incident.
I have designated a special
place in my heart for this genre to reside because I find these films to
be fun, captivating, and - with a little stretch of the imagination - scary.
Mind you, this is coming
from someone who yelled at the screen while watching Disney’s Up, “A bunch of
balloons carry a house away? This could never happen!” – So you may argue that
I have a hard time with suspension of disbelief and should therefore dislike
this genre - which is partially true, but an entirely different blog post. But
I think we can all agree that suspension of disbelief is a personal experience
based on one’s own perception. And for some reason, I do not have trouble
suspending my belief for this genre of film.
I understand that the intelligent part of the ...
general public is well aware that all of these films are fiction and therefore not actual found footage that has been glorified and commercialized at the expense of the surviving family. But, I argue that knowing that the films are produced works of fiction should not deter a viewer from watching. After all, if films were ranked based on their ability to make the audience believe the drama is real, the majority of all blockbusters would fail time after time.
general public is well aware that all of these films are fiction and therefore not actual found footage that has been glorified and commercialized at the expense of the surviving family. But, I argue that knowing that the films are produced works of fiction should not deter a viewer from watching. After all, if films were ranked based on their ability to make the audience believe the drama is real, the majority of all blockbusters would fail time after time.
I get it though, it’s a façade; Found Footage films are parading around like they are real when in fact they are not. Audiences don’t like to be ‘had’.
I won’t soon forget the 1999
MTV VMA’s when the three ‘missing’ kids from the Blair Witch Project appeared
on stage to present an award – my heart sunk. I felt duped. I was seventeen. I
was obsessed with that film; I even used the internet (which, in 1999, was a
joke in terms of finding information) to research the case and find out more.
And there they were, alive and well; on MTV no less.
Another argument against
this splendid genre is that the camera work is shaky and makes audiences sick.
The Blair Witch Project generated a lot of buzz during it's run on the big
screen and the general consensus was that if you see it, you will experience
motion sickness. I was determined to see it, but cautious because I had an
unfortunate penchant for air, car, boat, you-name-it sickness. I went anyway,
and happily reported that I felt nothing. To date, I haven’t actually met anyone
who can confirm getting sick from this or any other Found Footage film so at
this point I must conclude that the phenomenon is a myth.
I get that one too though;
it’s jarring sometimes to be watching the characters run through the woods and
all you see is a blur. But it doesn’t make me sick…
Do I sound defensive
enough yet?
My wary and guarded prose
on this subject may come off as ambivalence and perhaps that’s because I am
aware of the general reception these films receive so I am a bit protective
over them. But do not mistake it for indecisiveness, as I am positive that this
is a genre to be celebrated. And thankfully producers continue to present these
gems to the world on a consistent basis year after year, proving that the genre
is enjoyed by audiences as well as profitable for the industry.
The Blair Witch Project
(1999) was not the first Found Footage film but it is arguably the most widely
known and it was responsible for putting a spark in a sleepy genre and pushing
is popularity into the mainstream.
The Paranormal Activity
(2007-2012) series keeps in line with the genres tendency to include paranormal
activity and scenes that parallel with a typical horror film.
Cloverfield (2008) tried
something new by combining the genre with action/disaster, which I found to be
very impressive. King Kong meets Blair Witch as young New Yorkers record the
destruction of the city as it is happening to them. Seeing the collapse of the
Brooklyn Bridge was a definite plus.
V/H/S (2012) came out this
year and all I can say is go for it. Several stories are presented separately
within the film, each being strange, supposedly found footage from old VHS
tapes. This one is not for the squeamish or faint of heart.
Now if only this genre
could produce something truly epic; like a combination of Found Footage and
Jurassic Park where we get to see a ‘real-life’ depiction of what would happen
if humans came into contact with Dinosaurs.
Wait, what? Oh yeah, it already
exists.
The Dinosaur Project
(2012).
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